How Chauburji monument reminds women empowerment?
The four robust octagonal towers that stand against the substantial walls of Chauburji, which literally means “Four Towers,” are arguably what most people associate with the structure.
It was previously the gateway to a magnificent garden compound and was constructed around 1646. Currently, Chauburji is at a bustling junction where the highways to Multan and Bahawalpur converge. Even though it seemed to have disappeared as the city grew, there is still a gorgeous building with mosaics of azure blue, brilliant lemons, and sea green that have religious phrases etched inside.
It is important to explore that how Chauburji monument reminds women empowerment? Most people think that Jahan Ara, Princess of the Universe, one of the most progressive women of the Mughal era, was the one who ordered the monument. She was the firstborn child of Mumtaz Mahal, the cherished wife of Emperor Shah Jahan.
Jahan Ara, who was born in 1614, was a well-known businesswoman, art patron, and writer. Despite the fact that her father had three other spouses, Mumtaz Mahal’s unexpected death in 1631 saw the 17-year-old Jahan Ara succeed her as First Lady of the Mughal Empire.
During her father’s rule, she had a significant political impact and was once referred to as “the most powerful woman in the empire.” Similar to other important Mughal era figures, Jahan Ara was a prolific builder with the authority to give funds for such a structure. Though past historians might have confused her with Zeb-un-Nissa, Emperor Aurangzeb’s daughter, the entrance to the gate most likely honours her as “Sahib-e-Zebinda, Begum-e-Dauran.”
Because of its historical, architectural, and cultural significance, the Chauburji monument must be preserved and loved. It serves as a reminder of a time when women’s contributions and talents were valued and honoured. Without witnessing this landmark and paying respects to Jahan Ara, the Princess of the Universe, a trip to Lahore would be incomplete.
